One of the docs at this year’s festival, Mifune: The Last Samuai, pays tribute to legendary Japanese actor Toshiro Mifune, whose work with Akira Kurosawa helped to revitalize Japanese cinema in the years after World War II. The subject is a rich one, but the film simply isn’t incisive enough to make much of a dent in a crowded marketplace. Keanu Reeves provides the rather bland narration, which offers such nuggets as that Mifune “embodied steadfastness and integrity.” The script, by director Steven Okazaki and Stuart Galbraith IV, rarely goes beyond platitudes. There are some impressive interviewees on display here, including American directors Steven Spielberg and Martin Scorsese, several of Mifune’s surviving collaborators, and family members of both Mifune and Kurosawa. But the people asking the questions didn’t encourage anyone to probe very deeply into their subject. The film opens arrestingly, with a thumbnail history of Japanese cinema and excerpts from silent films that have largely vanished. A whole new wave emerged with Kurosawa’s masterpieces, Rashomon and The Seven Samurai, in the early 1. Yet the doc fails to provide any trenchant analysis of these seminal films. Rashomon in particular had a lasting cultural impact that is never even hinted at here. The dissection of Throne of Blood, Kurosawa’s electrifying adaptation of Shakespeare’s Macbeth, is more substantial. Okazaki informs us that the startling climax of the film, in which the hero dies after an attack by enemy archers, was executed without many safety precautions. We get some hints about the impact of the war on both Mifune and Kurosawa. We learn about Mifune’s drinking and about the breakup of his marriage. Similarly, there are mentions of tensions between actor and director that finally brought an end to their collaboration after 1. Perhaps Mifune craved recognition beyond Japanese shores. He went on to co- star in Hollywood movies like John Frankenheimer’s Grand Prix, John Boorman’s Hell in the Pacific, as well as Spielberg’s comic dud, 1. Kurosawa. The film excerpts are welcome and do convince us of the startling impact of some of these pictures. But you will have to search elsewhere to find a deeper understanding of the greatest Japanese actor. Director- editor: Steven Okazaki. Screenwriters: Steven Okazaki, Stuart Galbraith IVProducers: Toshiaki Nakazawa, Toichiro Shiraishi, Kensuke Zushi, Yukie Kito, Steven Okazaki, Taro Goto. Consulting producer: Rikiya Mifune. Directors of photography: Tohru Hina, Yasuyuki Isikawa. Mifune attempts to protect Angela. Often stoic in nature and staunch in attitude, Mifune tends be somewhat quiet in situations that do not directly involve him and. Clips from Rashomon, Yojimbo, Red Beard, The Hidden Fortress, Sanjuro, The Seven Samurai, The Bad Sleep Well, Throne of Blood, Samurai Rebellion, Hell in. Directors Steven Spielberg and Martin Scorsese are among those who pay tribute to celebrated Japanese actor Toshiro Mifune in this Telluride doc. Samurai film directors. Akira Kurosawa is the best. Music: Jeffrey Wood. No rating, 8. 0 minutes. At one point in the past Mifune and other samurai were pitted against Hanz. While everyone escaped in fear, Mifune stood proud. Directors Steven Spielberg and Martin Scorsese pay tribute to celebrated Japanese actor Toshiro Mifune in the the documentary that screened at Venice and Telluride. He studied the movement of lions. He’s like a caged animal,” says Martin Scorsese in the (above) trailer. 50 Classic Chambara and Jidaigeki style samurai films. Of course there are countless more but this is a good place to start for anyone interested in this genre. Toshiro Mifune achieved more worldwide fame than any other Japanese actor of his century. He was born in Tsingtao, China.Seven Samurai (re-release) movie reviews & Metacritic score: Akira Kurosawa's 1956 classic, set in 16th Century Japan, stands as the prototypical action film.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. Archives
December 2016
Categories |